Search This Blog

Historical Story Skeleton

Previously, we examined Historical fiction subgenres. This week, we will dissect the building blocks that make up the historical novel.

The overall story problem in this genre explores an event from the past

The reader asks. "What was it like and how did it change things?"

For the purposes of Story Building Blocks, it can involve historical characters in a historical situation, historical characters in fictional situations, or fictional characters in historical situations.

There can be elements of Romance, Mystery, Thriller, Science Fiction, or Fantasy, but the overall story problem focuses on the historical situation with emphasis on a point in history. It can shed new light, debunk old theories, or twist history in an unusual way.

The art of the Historical novel lies in the details.  Creating a 3-D story world enriches the plot. Your story world must be true to the time, place, and people involved. You must research the customs, culture, and knowledge of the period to make it believable.
There will be fact-checking nitpickers out there ready to tear your authenticity apart.

Thankfully, there are myriad resources for research and access has never been easier. Helpful authors have provided guides to different historical periods, including costuming, weapons, manners, and morals. There are online databases to mine, maps to view, and even CGI recreations of places. If your local library lacks references, there are online resources to make up for it.

Good historical stories follow a traditional story arc of a main character that wants something and fights to get it: freedom, government, law and order, peace, war, revolution, social change, influence, or power.

In Historical stories, the protagonist can be a historical person or a fictional character in a historical setting.

The antagonist in the Historical saga offers stiff opposition. He or she can be a Confederate general, Nazi spy, Roman Emperor, or rival Queen. It can be a congressman or a sailor or a corrupt plantation owner.

External Conflict scenes reveal the historical situation in which the actual or fictional characters are involved. These are the battlefield scenes, the meetings of great minds to debate passing a bill. It could be a war, a political coup, a great debate, a ball or dance, an afternoon tea, an election, a business transaction, a slave auction, a lecture, a plantation house fire, or a meeting of Suffragettes. These are the battle scenes, the senate speeches, or the ship leaves for the New World. They include the inciting event and series of encounters that lead up to and include the final decisive event.

Antagonist Conflict scenes follow the opposing forces, the Union leader versus the Confederate leader, the assassin planning to shoot the president, or the congressman accepting bribes. They involve either the protagonist facing off against the antagonist on opposite sides of the argument or battlefield or the antagonist plotting and scheming on his own if you follow his point of view. The antagonist is often explored in this type of story, allowing you an opportunity to argue the opposite thematic point.

Interpersonal Conflict scenes can enrich the central theme with arguments both for and against the issue being explored: slavery, north versus south, England versus Scotland, Aborigines versus settlers, women’s suffrage, or worker’s rights. You can illustrate the shades of gray, how an outcome is good for some but bad for others. The friends and foes take sides, work to achieve their own goals, and shape the outcome by their aid or interference.

Internal Conflict scenes follow the protagonist as he debates the morality of his decisions. He is motivated by love, hate, fear, or revenge. Other people can be present, but this is his personal dilemma, the backstory of how he came to be involved, or the emotional price he will pay for upsetting the status quo. This is the war of allegiance to family, lovers, friends, or political groups. He could be dealing with the death of a loved one, a miscarriage of justice, or conflicting ties that make participating in the larger battle difficult.

For help with building the Historical novel, check out the Historical Build A Plot Workbook print and e-book and the Build A World Workbook.

Next week, we will take a look at Horror Story subgenres.

For more about how to craft plots using conflict check out, Story Building Blocks: The Four Layers of conflict available in print and e-book and check out the free tools and information about the series on my website.

Historical Subgenres Part 2

Last week's post on Historical Subgenres created some discussion about other favorite categories of Historical fiction.

"I suppose genres in historical fiction would be things like historical romance (no more, please, the world is sinking under the weight of the existing books); historical crime (e.g. Ellis Peters), historical mystery etc. And, of course, literary historical fiction - Hilary Mantel etc. [...] historical revisionism is often popular, starting with Josephine Tey's The Daughter of Time, although not strictly a historical novel." ~ Caroline Miley, The Competition

"Late Stuart period." ~ Carole Penfield

"[...] Tudors, the Stuarts, the English Civil War and Restoration, the colonisation of North America." ~ Alison Morton

"Where is the Renaissance? Tudor era England? Elizabethan England? English Civil War? What about the near and far East?" ~ Emily Cotton

"Roman Britain history between A.D. 43 and c.A.D. 400." ~ Nancy Jardine

"USA 19th century, Settlement, Native American, Civil War, etc." ~ Janet Oakley

"Australian colonial History! convict battles, Rum rebellion, vinegar Hill and later the Eureka Stockade! All Fascinating Historical accounts! Sheila Hunter wrote 3 novels around this era - minus the battles! #sheilahunter." ~ Sara Powter

"GEORGIAN: 1714 (with the accession of George 1) to the death of William IV and accession of Queen Victoria 1837 (also known as the LONG eighteenth century). REGENCY: 1811-1820, when George the Third's son, the Prince of Wales was regent. I would LOVE to see Amazon give the Georgian era its own category! :)" ~ Lucinda Brant

"How about Renaissance Italy or France? The Medici and Borgias in Italy? The Sun King (Louis XIV) in France? The French Revolution? :-) " ~ Cathie Dunn 

"Historical what if the princes in the tower were bitten by werewolves or vampires! What if Richard the Lionheart was vampire? :) What if Darnely were a dangerous werewolf and had to be killed and Elizabeth knew about it which is why she waited so long to have Mary killed?" ~ Helen R. Robare 

"That's what you would call The Golem and the Jinni, a recent bestseller." ~ Emily Cotton 

There are so many fascinating eras to write about. Each of the European monarchs could be explored, not only those from England, but Spain, The Hapsburgs, the Russian Tzars, etc. Asian, Indian, African, and Australian time periods languish in the mists as far as American publishing is concerned. Though History is not as lucrative as Romance or Mystery, there are fans waiting for stories that haven't been told.

For help with building the Historical novel, check out the Historical Build A Plot Workbook print and e-book. and the Build A World Workbook.

Next week, we will look at the building blocks for the Historical story skeleton.

For more about how to craft plots using conflict check out, Story Building Blocks: The Four Layers of conflict available in print and e-book and check out the free tools and information about the series on my website.

Historical Fiction Subgenres

 This week, let's take a look at the Historical fiction skeleton by examining a few subgenres.

Historical fiction is most often categorized by the era explored.

1. Early Human/Prehistoric History focuses on the time before written history. They can explore cavemen or proto European and African hunter-gatherer tribes.

2. Alternate History explores what would have happened if a historical event had turned out differently. What if the South had won instead of the North?

2. Ancient Greece History is set from 900 BC to 146 BC before the Romans invaded Greece. Ancient Greece brought us Plato and the birth of theater, philosophy, medicine, democracy, science, and reason. It brought us Mt. Olympus, Zeus, and the pantheon of Titans and Gods.

3. Ancient Rome History is set between 1,000 BC and the fall of the empire in 476. AD. Ancient Romans conquered a great deal of the known world including most of Europe, Russia, and parts of Africa, until it declined and crumbled into the sands of time. They created their versions of the Greek Gods. In the 300s AD, the emperor Constantine went from feeding Christians to the lions to adopting the religion, leading to the creation of the Pope and the Vatican.

3. Dark Ages/Early Middle Age History is set during 500 AD to 1000 AD. The decline of the Roman Empire was followed by a time of cultural and economic deterioration. Populations declined in urban centers, trade decreased, and barbarians invaded. The Byzantine  Empire thrived and in the 700s the Islamic caliphates conquered parts of the Roman Empire. In the 800s, Charlemagne declared himself Emperor and created the Carolingian Empire. The Vikings settled in the British Isles and France. Norse Christian kingdoms developed in Scandinavia. Except for the Mongol invasions, major barbarian incursions ceased.

4. High Middle Age History is set in 1000 AD to 1200 AD. Populations rapidly increased bringing social and political reform. Europe largely returned to a feudal agriculture system. The high middle ages featured the Crusades, new codes of chivalry, Arthurian courtly love, and advances in mathematics, poetry, and philosophy. The vast forests and marshes of Europe were cleared and cultivated. Northern Europe was greatly affected by the Viking expansion. The Christians took the Iberian Peninsula from the Moors and the Normans colonized southern Italy. Gothic cathedrals were built. 

5. The Late Middle Ages were ravaged by the Black Death, wars, and economic stagnation.

6. Early American History includes the colonization of America by the Europeans up to the War of Independence with Britain.

7. Regency/Georgian History is set in Europe from 1795 to 1837 during the reign of King George III and his son, King George IV. Their reigns spawned a new excessive culture of literature, fashion, architecture, manners and dress. It covered the Napoleonic wars and the French Revolution.

8. Victorian History is set in Europe from 1837 until 1901 during the reign of Queen Victoria and was marked by a long period of peace, except for the brief Crimean wars, advances in technology and industrialization. It also was a time of buttoned-up morality. The difficulties in Ireland occurred during the mid to late 1900s with the Easter Rising of 1916 that preceded the demise of British Empire.

9. Edwardian History is set in Europe during 1901 to 1912. Britain was ruled by King Edward and the Titanic was built and sank. Fashion and art underwent significant changes along with morality. The King loved to travel and brought back influences from all over the globe. Politics shifted, common laborers and women became political forces. It was also the
time of the Belle Époque era of continental Europe and the Gilded Age of the United States.

10. World War I History is set during 1914 to 1918, and a war which involved all of the world’s great powers in Europe and the US. By the war’s end, the Germans and Russians were defeated and the Austro-Hungarian and Ottoman Empires ceased to exist. The map of central Europe was redrawn and the League of Nations was formed.

11. Roaring Twenties History is set after the end of war until the stock market crash in 1930 and focus on the abrupt change in fashion and morals. Industrialization accelerated and hair and hems were cut short. People embraced the "live like you’re dying" philosophy. It was the time of prohibition and suffragettes in the US.

12. Depression Era History is set in 1930 to 1939 following the sobering stock market crash. There was a severe worldwide economic depression. The Great Depression had devastating effects in virtually every country, rich and poor.

13. World War II History is set during 1939 to 1945. The war involved most of the world's nations divided up into the Allies and the Axis. It included the Holocaust, the attack on Pearl Harbor and the bombing of Hiroshima and Nagasaki, Japan. It spawned the development and use of nuclear weapons and technology. 

14. Contemporary History is a broad category that includes stories set after the second World War. They include distinct decades that had their own fads, mores, and fashions: The 1950s, 1960s, 1970s, 1980s, 1990s, and now certain moments in the 2000s. The eras feature the baby boomers, the post baby boomers, and generations X and Y.

15. Christian History features Christian themes and explores historical events from a Christian perspective. They can explore the creations and battles for autonomy of the myriad offshoots and variations of the one god theologies. The protagonists often struggle to lead spiritual lives in a secular world.

16. Historical Adventure/Thriller is a fast-paced and action-oriented hybrid of historical explorations, adopting elements of Thriller.

17. Literary History uses slow, literary pacing to explore a moment in time or the events that changed history and can be epic-length and multigenerational.

18. Nautical History takes place at sea, featuring captains and crew, smugglers and pirates, galleons and submarines.

Amazon's Historical subcategories.

Check out the Historical Build A Plot Workbook in print and e-book.

Next week, we will look at the building blocks for the Historical story skeleton.

For more about how to craft plots using conflict check out, Story Building Blocks: The Four Layers of conflict available in print and e-book and check out the free tools and information about the series on my website.

The Gothic Skeleton

I grew up reading Gothic novels by Charlotte and Emily Brontë, Daphne du Maurier, Henry James, Elizabeth Gaskill, Diane Setterfield, Anne Radcliff, Shirley Jackson, and many others. If you know of more contemporary authors writing Gothic novels, please recommend them in the comments. I am always looking for more.

I recently watched an excellent Gothic film: Voice from the Stone. A nurse is summoned to an Italian mansion to help a grieving child.

In the Gothic story, the overall story problem is a deep, dark secret threatening to break free.

The reader asks: Will they realize the danger in time and will they escape?

The protagonist unravels a mystery or reveals a hideous secret and often realizes the man of her dreams is not who she thought he was. The Gothic structure is set apart from the Mystery and Thriller by setting and specific structure, so I give it its own category. 

Atmosphere is critical in setting the creepy tone of the story. It is usually features a castle, manor house, or plantation where the remoteness of the location adds to the claustrophobia. The era can be Victorian or Elizabethan England, turn of the century American south, or any time and place when secrets could easily remain buried if not for the unwitting protagonist. 

It doesn’t work well if the protagonist can easily walk outside and be among civilization. Large, populated cities don’t fit the bill as well. Remote islands and the middle of deserts do. These stories tended to examine the role of women and the restrictions placed on their behavior and freedoms.

In Gothic stories, the protagonist is the woman or man who uncovers the secret or unravels the mystery of the creepy mansion. Sometimes the love interest frees the woman from her psychological or physical restraints.

In a Gothic story, t
he antagonist is usually a powerful, alpha-male character. Sometimes there are antagonistic forces rather than an actual “bad guy.” It can be the situation, the insane wife, the servants, or the dark brooding castle owner. However, the dark brooding castle owner often ends up being the love interest, poor misunderstood thing that he/she is. It is whoever or whatever element presents the greatest threat to the hapless protagonist’s success.

External Conflict scenes slowly reveal the secret and the danger. The unwitting protagonist realizes what she has gotten herself into and works to get out.  The governess walks down the dark hallway with a candle to investigate a noise. The hero guides her away from a window where his crazy wife is peering out. She has a near miss with a runaway carriage. These are the house parties, the afternoon teas, the double-entendre conversations. A doctor is summoned. A footman is strangled.

Antagonist Conflict scenes follow the antagonist or reveal more subtle antagonistic forces. The antagonist is not necessarily the lord of the manor; he often turns out to be the love interest. It could be the crazy wife locked upstairs. It could be the Countess who is determined to marry the man herself. These are the scenes where the opposing characters face off, whoever they might be. It could be the overprotective nurse or housekeeper. The antagonist could be the governess bent on destroying the peace of the household because the lord of the manor fired her mother.

These scenes can follow the protagonist or the antagonist depending on the POV. But the Gothic story typically follows the protagonist, keeping the reader equally in the dark. The antagonist’s POV is rarely explored in these stories. We never learn what the crazy woman in the attic thinks, unless she tells the protagonist. Instead, these are scenes where the governess is in the room with the bad guy or girl, matching wits, or defending against an attack from the crazy woman in the attic. 

These scenes are often subtle where the protagonist feels something is wrong but can’t quite confirm it. The antagonism is subtle but present. We get a sense of the threat rather than a blatant view.

Interpersonal Conflict scenes show the protagonist interacting with the staff and noble neighbors. These scenes can involve either protagonist or antagonist or even follow the nurse into the room with the crazy wife, but the story normally follows the protagonist to keep the reader in step with the protagonist. People hint that something is very, very wrong, but does she want to see it? Others attempt to convince her things are perfectly normal. Some give her important clues. Some point her in the wrong direction. Others lead her deeper into the heart of the mystery. Some weave webs and traps that keep her imprisoned and threaten her sanity or her life.

Internal Conflict scenes involve the main character wrestling with her desire to stay or run, confront or hide. She struggles with her past wound or the dilemma that drove her to the creepy manor house in the first place. She confronts her fears, her desire for freedom or her desire for connection. She remembers the loved one who died and whom she is avenging.

Next week, we explore Historical subgenres.

If you are plotting a Gothic novel, check out the newly released addition to the Story Building Blocks series: Gothic Build A World Workbook available in print and e-book.

For more about how to craft plots using conflict check out, Story Building Blocks: The Four Layers of conflict available in print and e-book and explore the free tools and information about the series on my website.