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The ABCs of Self-Publishing Platforms Book Baby

BOOK BABY

https://www.bookbaby.com/

Book Baby is a pay for service model. It is an expensive way to go. If you have the money (thousands) and feel your platform is big enough that you will earn it back, then this might be the option for you.

They handle ebooks, print-on-demand paperbacks, hard cover, photo books, children’s books, in color and black and white. They are geared more toward selling services for writers who need help with design, editing, etc. though they do have a small digital storefront. They have an in-house printing company. They do not require exclusivity, though they advertise uploading to Kindle Select which does require exclusivity.

Cost: Prices for service packages currently run from $1000 to $3500. There are additional charges for any type of change. Every additional service can add to the cost. Any time you wish to update or change anything, it has to be done through them. You pay for printing paperbacks and hard covers.

Rights: You retain all rights. They sell ISBN numbers for $39 or you can provide your own.

Distribution: Through their distribution services, your book will be listed across major retailers like Amazon, Barnes & Noble, Google Play, Kobo, Walmart, and other wholesale distributors. Book Baby gets a percentage of profit in addition to the third-party distributor.

Orders are fulfilled by the retailer or by BookBaby. The books can be shipped directly from the retailer or wholesaler or BookBaby if purchased through BookBaby's bookshop. Your book will be made available in any territory in which a given bookstore operates. You can opt in or out of any of their partner stores. You can restrict your distribution service by country. Your book will be available to any third-party bookstore their partner provides digital content for.

Services: Book Baby offers everything from editing to cover and interior design to marketing package options for a fee. 

Ebook file conversion costs start at $99.

They offer bulk printing and print-on-demand. You can print limited runs of books for personal use, as opposed to selling your book to the public. You can upload your existing audiobook for $99 and sell through BookBaby’s online shop. You earn 75% royalties on each audiobook sale after the distributors' cut and cost.

They will produce and upload Facebook and Instagram Ads for $199 and an ad budget for a minimum of $100 per week. You can do those ads on your own and set your own budget.

They sell bookmarks and posters. They use a company called Smith Publicity for marketing assistance. You can pay for proofreading, copy editing, line editing, and cover design.

Payment: Payments are delayed since Book Baby distributes through other venues, usually 90 days. They will post your BookShop earnings in your account in the week following all invoiced transactions. 

Book Baby collects payment from other distributors and sellers, deducts any printing or selling cost, and then pays you the net sales.

There is something to be said for uploading direct to Amazon and B&N yourself, therefore keeping more of the royalty. Depending on the retail price of your title and the specs of the book, most titles will generate between 10% to 30% royalties. Sometimes, sales will fall outside of these royalty targets depending on international currency conversion rates, the manufacturing costs associated with production of your titles, and the fluctuation in retailer distribution charges. Book Baby reports income in excess of $10 to the IRS.

Next week, we look at Book Locker.

As always, if you find this information helpful, share it, like it. If you want more free information, sign up to follow the blog on blogger or the Story Building Blocks Facebook Page. Free tips and tools are also available on my site https://dianahurwitz.com/.

The ABCs of Self-Publishing Platforms Barnes & Noble Press

BARNES & NOBLE PRESS

https://press.barnesandnoble.com/

Barnes & Noble is owned by Elliott Advisors (UK) Limited and run by CEO and bookseller James Daunt, who is also Managing Director of Waterstones bookstores in the U.K. and founder and owner of Daunt Books. 

Barnes & Noble obtains print-on-demand titles through a third party, Lightning Source/Ingram.  Barnes and Noble's relationship with Lightning Source/Ingram facilitates their connection with many print-on-demand publishers/vendors. When your title is available through Lightning Source/Ingram, Barnes & Noble's customers will be able to order it in their stores and through bn.com. 

They offer print-on-demand paperback, hardcover, and ebook options. They have the Nook ereader and the Nook Reading App for iPhone, iPad, Android devices, and tablets. 

They do not require exclusivity. Their dashboard reports sales and payments.

Cost: It is free to upload your cover and interiors. There are no charges for changes or reuploads. With no delivery fees or production costs, B&N Press is free to use.

Rights: You retain all rights. They will provide a free ISBN exclusive to their paperback book versions or you can use your own. No ISBN is required for ebooks. They assign a book identification number.

Distribution: Distribution is through their online store. You can submit your book for consideration to be displayed in physical stores. That is not guaranteed. But if you want to do a book signing, it may give you a better chance to publish through them over other platforms. Books the stores order must be returnable and that option is not available through Barnes & Noble Press. Print on demand books can be ordered at any of their physical stores. They do not offer returns or exchanges for print books due to the highly-individualized nature of the orders. Be sure to pay close attention when approving your proof online. B&N provides refunds to customers who are unsatisfied with their online book purchases at the discretion of Barnes & Noble customer service. Returns will appear on your sales reporting and will be deducted from your next payment.

Services: B&N Press offers ebooks, paperbacks, and hardcovers. They have promotional opportunities and offer select B&N Press books in emails, online sales & promotions, and other exclusive marketing programs.

They have partnered with Reedsy to offer editorial assistance, BookTrib for publicity assistance, Incubate for marketing assistance, and 99designs for cover and interior formatting. They have expanded their array of merchandising options, including curated ads on BN.com, better email placement, and social media and blog exposure on Barnes & Noble Press and NOOK channels.

B&N press allows you to create Personal high-quality paperbacks or hardcovers book for your friends & family, your business, fans of your book, prospective readers & reviewers, and yourself. This is different from a “published” book on sale to the public. They deliver them to your address in about 10 days with exceptions. You can modify the books online. They come in paperback, hardcover, and jacketed hardcover. Cost depends on paper, cover, size, page count, etc.

Payment: Barnes & Noble Press offer publishers a flat 70% royalty rate on ebooks and a competitive royalty rate on print books. Print cost and delivery fees are deducted from the list price. You are paid 30 days after purchase. Payments in excess of $10 are paid by direct deposit. If your sales are lower than that, you receive biannual payments. You can view sales reports at any time. They report your income on IRS Form 1042-S and they do not withhold taxes.

Next week, we look at Book Locker.

As always if you find this information helpful, share it, like it. If you want more free information, sign up to follow the blog on blogger or the Story Building Blocks Facebook Page. Free tips and tools are also available on my site https://dianahurwitz.com/.

The ABCs of Self Publishing Platforms: Apple Books

 APPLE BOOKS FORMERLY iBOOKS

https://www.apple.com/apple-books/

Apple Books offers ebooks and audiobooks. They have a reading app for Apple products. They do not require exclusivity. Apple dominates the Australian market.

 Cost: It is free to upload your cover and files and you can make changes. No delivery fees. You can make your book free for promotions. There is no price matching.

 Rights: You maintain all rights. They will provide a free ISBN exclusive to their book version or you can use your own. No ISBN is required for ebooks. They assign a book identification number.

Distribution: Distribution is only on Apple Books. There is no exclusivity.

 Services: They offer tips on writing your book, design, publishing, audiobooks, and marketing. They have videos on how to launch and market your book. 

You can use their Pages tool to customize your design, add images, and prepare your file for Apple Books. You can use Microsoft Word. You can convert your book to EPUB. They also partner with EPUB file conversion service providers: Bookwire, De Marque, Draft2Digital, Ingram/CoreSource, Lantern, OTOBANK, PublishDrive, and Zebralution.

You can set up preorders.

They offer an Affiliate Program for you to earn revenue when you promote other books by sharing links on social media, your website, email newsletters, and other marketing efforts. This revenue is in addition to your royalty payment for the sale of your book. It’s a simple way for you to maximize your income on Apple Books.

Payment: Apple pays 70% royalties 32 days after the end of the month in which you sold books using direct deposit into a bank account set up on iTunes Connect. If you sell directly through Apple, you can monitor the performance of your titles with daily sales reports. Sales They report your sales to the IRS on a 1099.

Next week, we look at Barnes & Noble Press.

As always if you find this information helpful, share it, like it. If you want more free information, sign up to follow the blog on blogger or the Story Building Blocks Facebook Page. Free tips and tools are also available on my site https://dianahurwitz.com/.

The ABCs of Self-Publishing Platforms Amazon Kindle Direct Publishing

According to an article by Nicholas Rizzo in January 2023, 30-34% of all ebooks sold are self-published. Three-hundred million self-published books are sold each year and $1.25 billion self-published books are sold each year. Amazon pays $520 million in royalties to self-published authors each year. Only 1% of audiobooks on Audible are self-published. The global publishing market is expected to grow at 1% CAGR per year, whereas the self-publishing market is expected to grow at 17%. The number of self-published books has increased by 264% in the last five years.

You can read more of his research here: https://wordsrated.com/self-published-book-sales-statistics/.

I started self-publishing in 2008, back when KDP was Booksurge and did a rundown in 2021 of the self-publishing options comparing cost, rights, distribution, services, and payments. Self-publishing continues to gain in legitimacy. Traditionally published authors have had rights reversion so they can republish their backlist. Mid-list authors that were dropped were also able to continue their popular series. There will always be poorly presented books for sale, some are traditionally published titles. However, the tools and guidance for writers has continued to improve to the point where anyone can upload a beautifully designed, edited, and formatted novel. 

Most of my new favorite writers are self-published. I would hate to have missed out on their books. As traditional publishing has faced challenges and contraction, self-publishing has blossomed. There are many options. Some writers prefer to stay with just Amazon with their amazing distribution network. Others choose to go wide with aggregators with equally strong reach in foreign markets.

The information is accurate as of my research date of May 2024. Over the next few weeks, we will take a look at them alphabetically. I will make a master list at the end for easier comparison.

AMAZON/KDP

https://kdp.amazon.com/

Amazon is still the behemoth worldwide distribution platform for books. First, they owned Booksurge, which became CreateSpace, and is now Kindle Direct Publishing. 

They currently have traditional imprints which require agented submissions: Lake Union Publishing, Thomas & Mercer, Montlake, Little a, Amazon Crossing, Amazon Crossing Kids, 47 North, Sky Scape, Two Lions, Amazon Original Stories, Topple Books, Mindy's Book Studio, Amazon Publishing, Jet City Comics, Grand Harbor Press, and Waterfall Press.

They purchased Audible for audiobooks and the book review site Goodreads.

They added Kindle Select for authors connected to the Kindle Unlimited reader subscription program.

They recently began Kindle Vella for short form fiction.

They do not require exclusivity except for titles enrolled in Kindle Select.

They offer many trim sizes for print on demand paperbacks, children's books, and hardcovers in color and black and white.

They have the Kindle ereaders and tablets as well as apps for your phone, tablet, and PC.

Cost: It is free to upload your files and covers. You can change the files at any time at no cost. There are delivery fees for ebooks, print costs for paperback, sales taxes in some cases, and you cannot make your book free unless enrolled in Kindle Select. You decide the price but there are minimums. Amazon may price match. In the small print, they state they can change your price at any time for any reason.

Rights: You retain all rights. They provide a free ISBN (exclusive to their platform) or you can use your own. Whether they provide the number or you do, it needs to be unique to the KDP platform. No ISBN is required for ebooks. They are assigned an ASIN identification number.

Distribution: With expanded distribution your book is available through hundreds of online retailers, bookstores, and distributors like IngramSpark and international stores. They have the widest distribution by far with sales sites in the United Kingdom, Germany, Spain, France, Italy, Netherlands, Poland, Sweden, Turkey, Japan, India, Australia, Singapore, United Arab Emirates, Egypt, Saudi Arabia, Canada, Mexico, Brazil, and growing. Austria. The distributors also cover Ireland, Belgium, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Latvia, Lithuania, Luxembourg, Malta, Romania, Slovakia, and Sweden. They can be ordered by bookstores, online retailers, libraries, and academic institutions. There is no guarantee they will be stocked in any specific location, but they are available to order. Books cannot be designated as returnable by bricks and mortar stores. 

Books and ebooks can, however, be returned. Books accidentally purchased from the Kindle Store can be returned within seven days of purchase. You may not be eligible for a refund if a book has been partially read or if they detect account abuse. Once a refund is issued, you won't have access to the book. To request a refund and return content, visit Manage Your Content and Devices. Then select the Actions button next to the title you'd like to return, and select Return for Refund. Amazon's return policy for books typically allows for returns within 30 days of delivery. The book should be in its original condition, and you may initiate the return through your Amazon account. If the return is due to an Amazon error or a defective product, they may cover return shipping costs.

Kindle books you receive as a gift are eligible for exchange for an Amazon.com Gift Card before acceptance

https://kdp.amazon.com/en_US/help/topic/GQTT4W3T5AYK7L45

https://kdp.amazon.com/en_US/help/topic/G201834280

Services: You can set up your author profile, linking to your blog and website, on Author Central in the US and in most of the foreign Amazon store sites. You should create your author page and link to all of the books that are yours and contest any that are not to avoid confusion.

They allow pre-orders.

There are marketing, promotion, and ad options. Your book is suggested by their algorithm online and in promotional emails. Amazon has many advertising and marketing opportunities with a huge database of articles to assist you in all aspects of book formatting and cover design. They have a service to help you choose categories and keywords.

They have a way to connect your books in a series.

They have software to help you create your product called Kindle Create. They have templates for covers and interiors. They have a virtual proof to view when you upload. You can order a printed proof. You can order author copies at a discounted rate. They have added a series tool that generates all of the books in a series when there is a search. 

They have the Kindle Select/Kindle Unlimited plans which allow readers to pay a monthly fee and have unlimited access to the books enrolled in the program. Subscribers currently pay $11.99 per month. They advertise 4 million digital books, audiobooks, comics, and magazines. They can read and hold onto up to 20 titles at a time before returning them.

Payment: You cannot make your title free unless it is enrolled in Kindle Select. There are minimum prices based on print cost and e-book delivery cost, but you set your price. The royalties run from 35% to 70% depending on the distribution option. If you enroll your paperback in Expanded Distribution, the royalty rate is 40% of the book's list price effective in the distribution channel at the time of purchase, minus printing costs, applicable taxes, and withholding.

Digital Books enrolled in KDP Select will be eligible to earn 70% royalty for sales to customers in Brazil, Japan, Mexico, and India. The List Price you set for Brazil, Japan, Mexico, and India must also meet the 70% List Price requirements for sales to customers in Brazil, Japan, Mexico, and India. If your Digital Book is not enrolled in KDP Select or you do not meet the 70% List Price requirements, you will earn 35% royalty.

Royalties are paid every month, approximately 60 days after the end of the month in which the sale was reported (90 days for Expanded Distribution). You are paid royalties monthly by 
Direct Deposit (Recommended), Wire Transfer, or Check.

Sales data is updated daily. You can run sales reports at any time.

If you enroll in Kindle Select, you are paid a fee depending on percentage of pages read. ACX/Audible pays 25 to 40% royalties. They review the size of the KDP Select Global Fund each month to make it compelling for authors to enroll their Kindle eBooks in KDP Select. They announce the fund monthly in our community forum. The share of fund allocated to each country varies based on a number of factors, such as exchange rates, customer reading behavior, and local subscription pricing. Author earnings are then determined by their share of total pages read. They are able to earn a maximum of 3,000 Kindle Edition Normalized Pages(KENPC) read per title per customer.

They do not permit authors to offer, or participate in marketing that incentivizes Kindle Unlimited (KU) customers to read their Kindle eBooks in exchange for compensation of any kind. This includes payment (whether in the form of money or gift certificates), bonus content, entry to a contest or sweepstakes, discounts on future purchases, extra product, or other gifts.

In the small print they say they can change your book price any time for any reason and this had led to some authors feeling disgruntled. They do price match, so if you use other platforms and post lower prices, your sales price will drop on KDP. 

The price at which we sell your Digital Book may not be the same as your List Price. For instance, we might sell your Digital Book at a lower price to match a third party's price for a Digital or Physical edition of the book. Or, we might match Amazon's price for a Physical edition of the book.

Additionally, from time to time your book may be made available through other sales channels as part of a free promotion. It is important that Digital Books made available through the Program have promotions that are on par with free promotions of the same book in another sales channel. Therefore, if your Digital Book is available through another sales channel for free, we may also make it available for free. If we match a free promotion of your Digital Book somewhere else, your Royalty during that promotion will be zero. Unlike under the 70% Royalty Option, if we match a price for your Digital Book that is above zero, it won't change the calculation of your Royalties indicated in B above. If you lower the List Price of a Digital Book while it is available for pre-order, they will charge customers that pre-ordered that Digital Book before the price decrease the lower price. Your Royalty will be based on the actual price they charge customers as a result of our Pre-order Price Guarantee, net of refunds, bad debt, and any VAT, sales or other taxes charged to a customer or applied with respect to sales to a customer.

Amazon continues to expand its reach. It is by far the epublishing powerhouse. Easy to use. I have never had a problem with sales or royalty payments since I started working with them in 2008. I still sell books that I haven't marketed in a long time. Not that I recommend ignoring your books. 

Next week, we look at Apple Books.

As always if you find this information helpful, share it, like it. If you want more free information, sign up to follow the blog on blogger or the Story Building Blocks Facebook Page. Free tips and tools are also available on my site https://dianahurwitz.com/.

KDP and AI Rules

When it comes to book creation or cover design, there is no question some writers and designers are using Artificial Intelligence. Regulation follows the advent of any major shift in creation. So, what are the rules when publishing through KDP using AI? How do they know it is AI? What will they do if it is AI-created? Let's take a look.

1. Can AI created text and art be copyrighted? 

Short answer, no. Since AI pulls from many copyrighted materials to make its word and art salad, your spin on the AI site is not considered an original work. Therefore, you cannot upload it to any site and claim copyright: not on KDP, Deviant Art, nor any stock photo sales site.

2. What is the difference between AI created versus AI assisted?

AI assistance can come in the form of answering questions, doing research for you, and helping you outline your novel. There is nothing wrong with assistance. There are software and books and blogs to help you outline a novel, do research, etc. I have a whole series on Story Building Blocks to help you outline your novel, build your characters, and your world. That kind of assist is okay. The line is drawn when AI creates the content for you, in part or in whole. If you are copying and pasting content AI has created, it is not considered an assist. It is considered plagiarism because of the sources AI was trained on.

In regard to covers, if you go to one of the many delightful AI art sites and say "I need an image of a fantasy village with dragons," you cannot use the resulting image for your cover. The work around to use AI only to assist is to make a collage of what you want a village or dragon to look like, upload it to AI to make it fleshed out, then put it back in your photo manipulation program and make changes. That makes it "original" to you. Just a brief detour to say, you have to pay for commercial licensing for most stock art and fonts. Just because it appears on a "free" site does not mean you have a commercial license for it. Those "free" sites are tricky that way. Free for personal use, yes. Free for a product you sell, not necessarily. If you have a commercial license for stock art, you can manipulate it for your cover. Same with a special font.

KDP requires you to inform them of AI generated content (text, images, or translations) when you upload you title or republish a title. You are not required to disclose AI-assisted content. So, what's the difference?

Per KDP's website:

"AI-generated: We define AI-generated content as text, images, or translations created by an AI-based tool. If you used an AI-based tool to create the actual content (whether text, images, or translations), it is considered "AI-generated," even if you applied substantial edits afterwards.

AI-assisted: If you created the content yourself, and used AI-based tools to edit, refine, error-check, or otherwise improve that content (whether text or images), then it is considered "AI-assisted" and not “AI-generated.” Similarly, if you used an AI-based tool to brainstorm and generate ideas, but ultimately created the text or images yourself, this is also considered "AI-assisted" and not “AI-generated.” It is not necessary to inform us of the use of such tools or processes. You are responsible for verifying that all AI-generated and/or AI-assisted content adheres to all content guidelines, including by complying with all applicable intellectual property rights." KDP "

3. Can I use AI to translate my novel?

Not if you upload your content and tell AI to create a foreign language edition. It's important to note that AI sites, even Google translate, cannot be relied upon for accuracy. You really should have a native speaker or trained translator assist you. If you rely on ChatGPT, that's on you.

4. How can they tell?

This is probably the most critical part for anyone wishing to slip under the radar. The answer is filters and algorithms that can identify AI-generated content and plagiarism. Do they make mistakes? Yes. Can you appeal? Yes. There are filters for art and filters for writing. It is similar to the plagiarism filters. So, don't be like the cut and paste thief. You could get sued by Romance Writers of America. Some filters can recognize paraphrased plagiarism too, in case you wondered. If you are caught plagiarizing, your account is deactivated. They are not, to my knowledge, doing that with AI-created content.

There are programs and filters for plagiarism and AI content. Most require an account and payment. There are many plagiarism sites not listed here. These serve as examples.

Turnitin states it can detect paraphrased AI content and ChatGPT generated content and Quillbot paraphrasing with 99% accuracy.

TraceGPT, also referred to as AI Plagiarism Checker & ChatGPT Content AI Detector, is part of PlagiarismCheck.org. You must make an account to use it.

Winston AI integrates with Blackboard, and Google Classroom, and can be used by businesses to detect plagiarism. Can also give you a readability score. It can scan documents, pictures, and handwriting. Can be used with Google, Edge, and Firefox.

Hive is a free AI content detector for text, image, and voice.

GPTZero detects ChatGPT, GPT4, Google-Gemini, LLaMa, and new AI models.

Originality.ai is a plagiarism and fact checker.

Does KDP run every file through a filter? I couldn't find a clear answer. I know they run a grammar and spelling filter for the virtual proof.

5. Why are AI-generated novels sold on Amazon?

A recent speaker bragged that he wrote and published 7 books with AI in the past year. I looked him up. The books are there. I have seen obvious AI created covers on traditionally published books too.

How is that possible given KDP "doesn't allow" AI work? Well, it kinda does.

“While we allow AI-generated content, we don't allow AI-generated content that violates our Kindle Direct Publishing content guidelines, including content that creates a disappointing customer experience,” Amazon spokesperson Ashley Vanicek says.

That's a non-answer if I ever saw one. Which is it? You do or you don't? The answer is, you probably aren't safe from plagiarism or copyright infringement claims, but they won't stop you from trying.

Under the current guidelines, authors are required to disclose whether their book contains AI-generated content by checking the box on upload. You can mention AI-created in the book description or author's notes.

KDP Content Guidelines

So, you can, in fact, sell it through Amazon.

Why allow it at all? I suspect they are gauging whether AI-generated books will make them money.

I use AI spins for character creation. I start with a paper doll created in Photoshop and spin it on NightCafe then refine it in Photoshop. There are always identifiable artifacts. AI is horrible with hands, ears, and facial features. It adds extra limbs. It is bad with images that look real instead of drawings. The resolution can be quite poor, so you have to paint over it anyway. I have played with keywords for days before I get anything remotely usable. If I knew animation, I would prefer to make images that way. Sadly, I don't have those skills. Yet. I have grown leaps and bounds with Photoshop over the past five years. I get that people don't want to take the time to learn. I prefer stock images I manipulate which I pay for when I create a cover. If AI can spit it out, I can recreate it on Photoshop. I prefer to pay the original artist or photographer and font designer for a commercial license when possible.

It may be tempting to create a bunch of books with ChatGPT if you need cash. However, writing is only half of the job. Marketing and publicity are the other half. If you upload a book to KDP or any other platform, it sits there unnoticed for 90 days until it falls off the algorithm entirely. You need a platform and your reputation is on the line. You will have to work just as hard to sell an AI created book as you would one you wrote. There is no fast easy cash in the publishing business. Is that the reputation you want? Are you willing to risk the ramifications if you unknowingly plagiarize someone else's work?

In summary, just because you can doesn't mean you should. Someone presented a monkey-created painting as fine art. "Experts" oohed and aahed about the lines and colors and said it was worth millions. They were humiliated when it was revealed the painting was by an ape. I imagine the reaction would be the same if it was revealed that ChatGPT wrote your book. So, proceed with caution.

As always if you find this information helpful, share it, like it. If you want more free information, sign up to follow the blog on blogger or the Story Building Blocks Facebook Page. Free tips and tools are also available on my site https://dianahurwitz.com/.


July to December 2024 Writing Workshops

Whether a one day session, one week conference, or a month-long writing workshop, writing related events are a good way to commune with other writers. They are opportunities to network and get your name out there. In some instances, you can meet and mingle with editors and agents. Some offer critiques or pitching sessions. Nowhere will you find a higher concentration of introverts enjoying each other's company. Local conferences are a good place to meet potential critique groups or recruit members. Note that information for this list is accurate as to what was available in December 2023. Dates and formats may change. Some events continue to be virtual, which allows for a wider audience and lower costs. Others also offer online resources that were presented at conferences past.

Some are free. Some require a fee. Some are more social than others. Many are for new writers, but a few dig deep into craft. You should choose an event that speaks to your needs and desires.

Also keep in mind that some of these organizations offer year-round events, critique opportunities, groups to join, etc. You may find your tribe.

July 7 – 13, 2024 Kenyon Review Fiction Workshop, Kenyon College, Gambier, Ohio offers online programs for adults and young writers. https://kenyonreview.org/writers/fiction/

July 8 – 15, 2024 Squaw Valley Writer's Conference, Olympic Valley, California. https://communityofwriters.org/workshops/writers-workshops

July 8 – 14, 2024 Fishtrap Summer Weekend, Wallowa Lake Lodge, Joseph. https://fishtrap.org/summer-fishtrap/

July 10 – 14. 2024 Southampton Writers Conference, Southampton, New York to be announced. https://www.stonybrook.edu/writers/

July 11 - 13, 2024 Midwest Writers Workshop, Muncie, Indiana, https://www.midwestwriters.org/

July 14 – 21, 2024 Tin House Summer Workshop, Portland, Oregon, https://tinhouse.com/workshop/summer-workshop-2/

July 16 – 28, 2024 Sewanee Writers’ Conference, University of the South, Sewanee, Tennessee. http://www.sewaneewriters.org/

July 14 - 20, 2024 Port Townsend Writers Conference in Fort Worden State Park, Port Townsend, WA https://centrum.org/the-port-townsend-writers-conference/

July 16 – 18, 2024 Sewanee Writers Conference, Sewanee, Tennessee, http://www.sewaneewriters.org/conference/index.html

July 19 – 21, 2024 Book Passage Mystery Writer’s Conference at Book Passage, 51 Tamal Vista Blvd., Corte Madera, CA 94925 https://www.bookpassage.com/mystery

July 19 – 20, 2024 Writing Heights Writers Conference Our conference sessions will take place both in-person and online. https://www.writingheights.com/page/conference

July 20 - 22, 2024 Sun Valley Writers Conference in Ketchum, Idaho. https://svwc.com/

July 31 – August 3, 2024 Romance Writers of America Conference in Austin, Texas https://www.rwa.org/

August 1 - 3, 2024 Mendocino Coast Writers Conference in Mendocino, Calfornia http://mcwc.org

August 16 0 18, 2024 When Worlds Collide Science Fiction and Fantasy Festival at the Delta Hotels by Marriott Calgary South,135 Southland Drive SE, Calgary, Alberta, T2J 5X5 https://www.whenwordscollide.org/

August 22 - 25, 2024 Killer Nashville International Writers’ Conference Franklin, Tennessee, https://killernashville.com/

August 28 to September 1, 2024 Boucheron in Nashville, Tennessee https://www.bouchercon2024.com/

August 29 – September 2, 2024 Bear River Writers' Conference. Boyne City, Michigan. https://lsa.umich.edu/bearriver

September 4 – 7, 2024 GayRomLit Retreat Renaissance Portsmouth-Norfolk Waterfront Hotel  Virginia https://www.gayromlit.com/ 

September 13 – 18, 2024 Creatures, Crimes, and Creativity Doubletree Hilton Hotel Columbia MD https://creaturescrimesandcreativity.com/

September 26 – 29, 2024 Sleuthfest at the Hilton Bayfront, St. Petersburg, Florida https://sleuthfest.com/

September 27 – 29, 2024 Rocky Mountain Fiction Writers Colorado Gold Workshop will be held at the Hyatt -Regency Aurora-Denver Conference Center. https://rmfw.org/

October 5 – 6, 2024 DFW Writers Conference (DFWCon), Dallas- Fort Worth Texas. Check site for registration dates. https://dfwcon.org/

October 24 – 26, 2024 Annual James River Writers Annual Conference. Greater Richmond Convention Center in Richmond, Virginia with a Master Class on the 23rd. https://jamesriverwriters.org/

October 25 – 27, 2024 Surry International Writers Conference, Surry, British Columbia, Canada will be a virtual event. https://www.siwc.ca

November 11 – 17, 2024 Kauai Writers Conference Kauai There are also year-round online events. http://www.kauaiwritersconference.com

Writing events are a wonderful way to commune with other book lovers and probably the largest number of introverts in one area at one time. Don't be afraid to try them. I promise no one bites. I think, gives side-eye to Horror Writers.

 

2024 04 04 Situation Is Not Story

I've heard a lot of great ideas for stories from people over the years. The problem? They describe a situation, not a viable plot. Ideas are a dime a dozen. Inspiration from dreams ditto. They can be a seed that grows into a story, but not without a lot of work. 
The conversation usually goes like this:


Writer: "This girl is in this really unhappy relationship. I mean the guy is an obvious psycho, but she just can't leave him."

Me: "So it's a woman in peril story. " Could be Thriller & Suspense or Literary Drama depending on the way it is told. "She has to escape the psycho boyfriend?"

Writer: "No. It isn't that kind of story."

Me: "So what kind of story is it?"

Writer: "It's about abusive relationships."

Me: "So what does your character do about it? What makes her realize the danger? How does she get away?"

Writer: "She can't leave. That's the point. Women get trapped in these things and they can't get out. There's no one that really helps them." Okay, so Literary Drama with a down ending.

Me: "True. So what happens in this story?"

Writer: "This woman lives with his horrible guy. And he does (fill in list of awful things)."

Me: "And she learns to fight back?"

Writer: "No, no. She can't fight back or he'll kill her."

Me: "So she escapes." Women in danger Thriller then. 

Writer: "She can never leave. That's the point."

Me: "So, she dies?" This could work as a Literary tragedy with a strong thematic message.

Writer: "No. She's not murdered."

Me: "So what actually happens between Chapter 1 and the End?"

Writer: "That's it. She lives in an abusive situation. So many women do. Readers will relate, right?" 

Me: "Yes, too many women are in that situation. But what kind of story do you wish to relate? You have to pick a genre."

Writer: "Oh, I'd never write genre fiction."

Me: Sigh. "Changing the topic ..."

However you wish to tell a story, you must pick a story form unless you are keeping a journal. Even an epistolary novel has a form.

The author could highlight this plight in a nonfiction article, this isn't a story with structure. This is a character with a problem but not a plot. Until the character does something, even if she fails, this is just a horrible situation.

For it to become a story, the main character trapped in a hellish situation becomes the hero by finding a way out. A catalyst comes along that makes the situation untenable enough that she is forced to take action. It could be a literary story. It could be a thriller, or even a police procedural.

But, until the character defines a goal, makes a decision or takes action, and faces obstacles, it's just a situation. The story could have a down ending. The woman could try and fail and try again and end up dead. Not too many readers would love the ending, but it would be a realistic cautionary tale. The struggle for safety is the story.

A situation is Dick being in an unhappy marriage. The story begins when something comes along to make him want to leave it or fix it.

A situation is Sally hating her job. The story begins when she is fired, competing for a promotion, or finds the courage to start her own company.

A situation is Jane being betrayed by a friend. The story begins when Jane decides to do something about it: get revenge, confront and heal, or make her friend see the error of her ways in a misguided fashion.

A story goal with obstacles and responses are the gears that power narrative. You can write pages and pages of anecdotes that, while entertaining, do nothing to propel the story forward.

If you can't identify a central conflict and resolution of your plot, you could be illustrating a situation and that is how you lose readers.

Every chapter should include conflict represented by obstacles and responses. Every chapter should show characters moving toward or away from the goal until they reach the final outcome.

There's nothing worse than turning pages and wondering what the whole point of a chapter was. If I have to go back and reread it looking for a point, the book goes in the "to be burned" pile.

As you go through your first draft, make sure each scene pulls its weight. Don't waste the reader's precious time, or you might find your book in ashes, your name blackened in the process.

To learn more about obstacles and responses, check out Story Building Blocks II: Crafting Believable Conflict and the free tools on dianahurwitz.com/theory.html.